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Acting (Re)Considered: A Theoretical and Practical Guide (Worlds of Performance) ReviewThis collection of largely academic essays on acting and performance has become one of the more cited collections, by virtue of I'm not quite sure what. I first encountered it as a young and intellectually hungry actor in the mid-90s, and was disappointed (after spending a lot of money on it) to find that the only piece that was more than marginally useful to me was the one about Willem Dafoe. Dafoe's account of his 'task-based' approach to the work of the Wooster Group is remarkably interesting. (I subsequently saw him perform in their production of 'The Emperor Jones', and can't honestly say that the essay illuminates his phenomenal energy and commitment in the role.)However, amidst all the dross about Decroux and Brecht and Rachel Rosenthal and this and that, there is one fantastic piece of unintentional comedy: Lauren Love's essay on being a feminist actor in conventional theatre, the unwittingly hilarious account of how one woman attempted to reverse centuries of male oppression by screwing up an obscure production of Oscar Wilde's 'The Importance of Being Earnest'. It's the kind of thing that makes you realise exactly what Naomi Klein was talking about when she wrote in 'No Logo' of her realisation that the true womens' issues of the new century were not how oppressed she was as a privileged American student, but how oppressed thousands of Asian girls were, working in Far Eastern sweatshops assembling running shoes for the US market. Love's self-importance and self-righteousness are the stuff of high comedy, and although her essay is absolutely serious in intention, the result is far funnier than I imagine that particular production of 'Earnest' ever managed to be. I can only compare it to a storyline in the wonderful but neglected Canadian comedy series 'Slings and Arrows'; if anyone was ever suited to being in pretentious director Darren Nicholls' original conception of 'Romeo and Juliet', it's Lauren Love.
Still, it's not worth paying out a three-figure sum for. If you really want a copy, get in touch with me and I'll sell you mine. As an assessment of genuinely fruitful developments in performance, like I said, besides the Dafoe essay, this book is academic cruft.Acting (Re)Considered: A Theoretical and Practical Guide (Worlds of Performance) Overview
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