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Creating the New Egyptian Woman: Consumerism, Education, and National Identity, 1863-1922 ReviewIn Mona Russell's book, Creating the New Egyptian Woman, she explains the complex ways of modernization in Egypt that affects the changes in both the status and the behavior of the women in this time period. No matter what class these women are in they still had to balance the new and the old ways of life in Egypt. The declaration of a "New Egyptian Woman" was an idea that was still new to the many other Middle Eastern countries; in some of these countries today women are still wearing either yashmaks or Hijjabs. In this time period, the women were actually extremely more advanced than a number of Middle Eastern countries are today.Russell's parents really encouraged her work because both of them had been very well educated and had received their doctorates and therefore encouraged the same for her. She received her doctorate in history. As a result of her mother's Arabic speech, she learned how to speak it as well and as a result it proved beneficial because she did her doctorate research at the American research center in Cairo. Had it not been for the women's rights movement, that took place, there would never have been a way for Mona to be in the position she is in today. One of the first Egyptian women to receive a degree was Huda Shaarawi, an Egyptian women's rights activist. Following in her footsteps, Mona received her doctorate and taught at the American University of Cairo, the University of Massachusetts - Amherst and at the Massachusetts Institute of Technology. She is most certainly an expert on the topic since she was born and raised in Cairo and has first had knowledge of this occurrence in the history of her country. Mona Russell makes a significant contribution to our understanding of the complex ways modernization affected changes in the status and behavior of urban women in nineteenth- and early-twentieth-century Egypt. One vital theme that Russell weaves throughout her book is the way new and old ideas and institutions persisted side by side for as long as they did, sometimes harmoniously but often not. Whether she belonged to the upper class or the middle class, the New Woman found she locked into class that was caught in-between the new and the old. It is a fresh take on the important subject of what it means to be 'modern' in the Middle East.
I really appreciate the acknowledgements page, it lead me to understand her even more than I did through reading the book. She takes the reader through her doctoral process and explains where she studied and such. I was very impressed in the notes on Transliteration and Translation page, because she read the same articles in French and Arabic before translating them herself. Not only does this act make her incredibly smart, but definitely makes her knowledgeable on the issue. I also liked the introduction which was very interesting and introduced the book very well. The notes pages were very detailed, making them easy to follow and the abbreviations page supplemented them very well. I wasn't very sure who the picture on the front of the book was, but at first I thought it was Russell but I think the pictures are too old to be her, so I assume that maybe they are just Egyptian women from the nineteenth century, maybe even her grandmother. Either way, they are a very nice touch for the book, giving the reader a visual image.
There is no limit to who can benefit from this book. I think women would especially find it interesting if they are interested in women's liberation or also if they have an Egyptian lineage. Historians definitely would be interested in it. Judging by the title, one would assume that the book is about women only, but in reality the book discusses many aspects of Egyptian life in the nineteenth century and shows a general picture of the time period and how the women fit into history.
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